Theories of the origin

History of how the poetry was developing until our days

The main theory of the origin and development of Homeric epics Part 4

Little known author the individuality of Achilles from the unique edition the spectacle at this meeting together with Aeneas (Canto XX), at which at the mouth the very previous extended discourse regarding the remaining portion of this Trojan, patiently hear Achilles. This epic fight of Achilles along with the lake God, in track XXI has obtained a appendage of after source - that the taming of this lake God of passion and also "Theomachy" (struggle between dinosaurs).

The main theory of the origin and development of Homeric epics Part 5

Even the Genesis of this task, its own slow clearance Wilamowitz believes therefore: the very first theory was "Achilleid" - a poem that currently creates the cornerstone of music XVIII - XXIII. It extended out of the nighttime which followed closely the passing of Patroclus, until the passing of Achilles. In that particular poem have lived undamaged bits in music of XX (along with this 3 main gains) along with also the music XXII-XXIII (around to. 256).

The main theory of the origin and development of Homeric epics Part 3

In tune fighter the pops of Diomed, together with all the crash of this protagonist with all the gods themselves, are still completely independently. Agents of their "notion of their fundamental kernel", with one accord each of the scenes obtained out of around the mid-eighth century into the current, since they comprise allusions into the subsequent cultural and governmental state of Greece compared to all the more early regions of the decoration.

The main theory of the origin and development of Homeric epics Part 2

The faculty Lachmann ongoing to entice most fans, one of which the absolute most well-known Bonitz, Lauer, etc.

The center stance between those instructions has been obtained by way of a Professor K. Lers, to comprehend that the motto of every one of those poems, but refused their partnership with one another. This opinion was voiced more by a few grammars of Alexandria, that received in their contemporaries the identify of "flat" (separators).

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